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改革开放之后,美国后现代诗歌在中国逐步获得合法身份并得到广泛传播。其主要诗歌流派,如垮掉派、自白派、深层意象派、语言派、纽约派等,都积极参与了中国当代先锋诗歌的建构与发展,并在别集译本空间内确证、强化了“影响源”地位。但诗歌别集的翻译实践,并不是单向的文化信息输出,不完全为美国源语境所牵引,它需要译者、研究者、赞助人、出版商等多方合力,且接受中国目标语境的规训,经历必要的本土转化、融合、创新方可实现。唯有置身开放多元、和而不同的对话体系,美国后现代诗歌才能真正融入到中国当代诗歌的阅读经验、精神谱系和艺术血脉中来。
Abstract：Since the reform and opening up, American postmodern poetry has gradually gained legitimacy and widespread dissemination in China. Major poetic schools such as the Beat Generation, Confessional Poetry, Deep Image Poets, Language Poets, and New York School have played significant roles in shaping contemporary avant-garde poetry in China, and have solidified their status as influential sources through the translation of poetry volumes. However, the translation of these poetry volumes is not merely a cultural output; it requires the collaborative efforts of translators, researchers, sponsors, and publishers, and must undergo localization, integration, and innovation within the Chinese context. Only by engaging in an open, diverse, and inclusive dialogue can American postmodern poetry truly become part of the reading experience, spiritual lineage, and artistic tradition of contemporary Chinese poetry.
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基本信息:
中图分类号:I046;H315.9
引用信息:
[1]尚婷.美国后现代诗歌别集在中国的翻译实践[J].中外交流研究(中英文),2026,2(02):136-147.
基金信息:
教育部人文社会科学研究项目“美国后现代诗歌在中国的旅行图谱研究”(18YJC752027)的阶段性研究成果
2026-03-15
2026-03-15